Showing posts with label vampyrs. Show all posts
Showing posts with label vampyrs. Show all posts

Sep 29, 2009

The Darkness



Almost October. Autumn is only ever one thing for me: Eastern Massachusetts. Aspirational like book-shopping and Commuter Rails and being teen*aged, dismal like exams and infirmaries and being teen*aged. I'm drawn in. Even as anxieties up and over an approaching winter mount, I crave wind rain and grey grey grey. I've been positively wishing away the sun (a thing I know I'll soon regret). The first Darkness has taken hold, and I am trying to conjure it fuller (heady, concussively), though it will surely expand on its own, suffocate us all until a trip to the Islands is the ONLY KIND OF FIX (thank G-d for New Year).

Though, post Yom Kippur, I'd imagined something like this. Today, I got my nails painted thus. German vamp.

Mar 17, 2009

Negative


Even more reason to use a Diva Cup!

Jan 8, 2009

Founding Fathers: Buffy Summers, She Saved the World. A Lot.


















There's been a lot of talk of 2005 as of late, and it's got me thinking about how I survived that fever dream of a year. After I meditate on it, my endurance can be chalked up to four factors: Alpha, Able, Lil' Kim, and Buffy the Vampire Slayer.

As a small-but-scrappy, slightly damaged blonde with violent tendencies who had fancied myself invincible and had it all blow up in my face, I was thrilled at the idea of seeing someone like me (the archetype of the fragile damsel) who was pretty much invincible. Buffy Summers could roam the streets at night alone, crawl through sewers, stop Armageddon, travel to alternate dimensions, drown, get stabbed, and was constantly saving the dudes' asses. But how Buffy really won me over was that she was not, in fact, bulletproof. She was victim to various aches and pains due to an absentee father, lovers who viciously turned on her, the loss of her mother, and her well-meaning but selfish friends who constantly (albeit unconsciously) put their need for her strength and leadership over her own well-being.

I learned a lot of valuable lessons from good ole B, but, in the end, the most important thing she taught me was that sometimes you just need to FUCKING DEAL. You get killed by a thousand year old vampire on prom night? You're boyfriend turns evil? He tries to torture and kill you? You die, finally find a little peace and quiet, and your clueless friends bring you back to life? Wash the blood out of your dress, pick the leaves out of your hair, and claw your way out of your own grave; because the world's sure as hell not going to save itself.

Unfortunately YouTube is awash with fan videos, but no actual clips. So head over to the WB's website to catch a few episodes from the first season.

Dec 4, 2008

Slay Me

Just found out that bad vampyr James (of Twilight fame) is portrayed by the same dude who gave us murderous surfer Volchok on The O.C. season 3. Considering the rate at which things are put out of mind these days, I wonder, are the little Twilightloonies even that familiar with the series?

Verses


Excerpts from--

Runnin' Away: Behind the scenes at the Sly Stone show

By Gabe Meline - Oct. 22, 2008 - North Bay Bohemian


The insane circumstances surrounding Sly Stone’s appearance in Santa Rosa were told to me by several people.

Sly Stone is in Los Angeles. He fires his business manager. Sly tells the promoter that he’s his own boss now, that he’s the one who’s going to get paid at the show and that he needs $3,000 wired to the bank account of an Iranian BMW saleswoman before he’ll even get on the plane to San Francisco.

The plane was supposed to arrive from Los Angeles at 11:30am.

The limo waits at the airport. Sly’s next flight becomes 1:30pm, then 2:30pm, 3:30pm and 5:30pm.

The promoter drives to the airport in the slim hope that Sly might walk through one of the gates.

Finally, at 7:30pm, with his young Japanese girlfriend in tow, the 65-year-old Sly shows up at the airport. He’s an hour and a half away from the show—which starts in a half hour—and he demands to go to the hotel. The young girlfriend finally talks him out of it, and he agrees to go straight there, but he’s still talking about getting paid.

He sleeps all the way to Santa Rosa.

Sly doesn’t hit the stage at the Wells Fargo Center until 10:30pm, during the fifth song of the set. He walks off the stage 25 minutes later, in the middle of “I Wanna Take You Higher,” telling the crowd, “I gotta go take a piss. I’ll be right back.”

But Sly never comes back. The band continues on without him, killing time for 30 minutes. During the last song, a man appears on the stage, whispering into band members’ ears.

Meanwhile, backstage, Sly is demanding to be paid.

Sly is out in the parking lot, still in his white suit, trying to get into the promoter’s car. All the doors are plainly locked, but he keeps trying. Finally, a woman drives by, picks him and his Japanese girlfriend up, and they whiz away. Word of his departure gets inside.

Sly’s making a getaway? Sly’s driving off right now? You’d better chase after him if you want to get paid?

The band members pile in their cars and find Sly precisely where they thought he’d be: the Fountaingrove Hilton. He’s not in his room. All the rooms are reserved under the business manager’s name, whom Sly fired that morning.

“Get me out of here,” he’s heard telling his driver, and they peel out.

It is not an uncommon sight to see cars racing down Mendocino Avenue in Santa Rosa on a Friday night.

The lead car giving chase contains a funk music legend, pursued by five more cars driven by band members, some of whom have played with him for 40 years. Six cars race down the street, weaving in and out of lanes.The young Japanese girl cries hysterically in the car.

Nov 25, 2008

OMG! He's a poof!






















And wonderfully flagrant! I like this little vampyr teen idol so much more now; he's George Michael in 1990, but (G-d forgive me) better looking and coifed like a Thatcher-era Lord Byron.