Above is an image of Ellsworth Kelly's ultra-elegant solution to the problem of "developing" the WTC site. Papa Able has kept the clipping in his office since 2003, and I find I'm moved each time I see it. There will simply never be any buildings better-looking than the originals, perfect twin icons of a certain 60s/70s sensibility long gone (leave the new sorts to Shanghai and the Emirates). And, honestly, any effort to fill them up with offices, theaters, malls (?) would be a bit gross. However, an entirely spare, green, open field, a "collage" conceived by one of our greatest painters would be something rather holy, a clear reminder of the loss, the scale, as well as a point of renewal, pleasure, oxygen in the midst of grey Lower Manhattan.
May 11, 2009
On Liberty (II)
Above is an image of Ellsworth Kelly's ultra-elegant solution to the problem of "developing" the WTC site. Papa Able has kept the clipping in his office since 2003, and I find I'm moved each time I see it. There will simply never be any buildings better-looking than the originals, perfect twin icons of a certain 60s/70s sensibility long gone (leave the new sorts to Shanghai and the Emirates). And, honestly, any effort to fill them up with offices, theaters, malls (?) would be a bit gross. However, an entirely spare, green, open field, a "collage" conceived by one of our greatest painters would be something rather holy, a clear reminder of the loss, the scale, as well as a point of renewal, pleasure, oxygen in the midst of grey Lower Manhattan.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment