Jun 12, 2009

Do It Yourself





















We were standing in the West corridor of the second floor of Bancroft Hall*. Jess D___, the tall, friendly girl from Portland, Oregon (who had gotten me stoned for the first time from a little wooden pipe with a nug she'd smuggled on the the plane from home) was saying, "I want a haircut. An indie haircut. I want a bob, but like longer in the front than the back, or like with short bangs and then dyed black." Jess did get that "indie haircut," the bob with long strands in front. She listened to "indie music," Modest Mouse and Cat Power and Elliott Smith and Bright Eyes. She drank "indie coffee," wore "indie, vintage clothes," and "indie, vintage glasses." She had a Dandy Warhols poster on her door. Essentially, Jess was a wealthy girl from the suburbs of a place where "indie" was premium, king, cool, central. She was enamored of the twenty-somethings that she spied at record stores and on the street. So she mimicked them and then talked about it in a starry-eyed, uncool sort of way, peppering sentence after sentence with that (now and then odious) word,"indie."

Personally, I used no slang for it. For the 1970s soccer jerseys as dresses and cowboy boots of 2001. For the two white leather roses, 1940s "shoe clips" that I affixed to dresses and headbands and canvas totes in 2002. For the ripping and dyeing and ribboning and pinning and silkscreening of each item I bought in 2003, whether from Macy's Juniors or Goodwill or Barney's. For the messiness of my hair. For the big, plastic and gold and paste 80s jewelery and red and black nails. I made these choices with ease, with youth-y cockiness, and with a craftsy, cobbled air that ranged from a little twee (in 2002-3) to a little twee meets Less Than Zero (2003-4) to a little death to twee/heavy metal groupie/junkie (2004-7).

Last week, a friend used the term "D.I.Y." to describe his band. He said their sound was too "D.I.Y." for Memphis audiences. I understand that this term is being used to describe some kind of punk music that the kids like? I think? And maybe it's taking on the vicious generality of the late 90s/early aughts's "indie" or (lord save us) the elusive "hipster." Like, "indie" (and unlike "hipster") it's descriptive, a reference to some very naive, very natural (and American?) striking out. It immediately puts me in mind of the little recyclings and adjustments that I compulsively made to each object or item of clothing I came into as a teenager. It immediately puts me in mind of getting older (a common topic on this here blog--apologies). These days, I am less comfortable making my funny mark on things, or wearing holes and stains and tatters. I feel the need for fine things, for things I absolutely cannot make myself, for things I must seek out and consume.

But it's nice when you think about it, this descriptive mot. It's a wonderful thing about the youth that they want to do it for themselves, do it for free or cheap, do it to look wrong (not "right"). I suppose I was "D.I.Y." and so was Jess and so were plenty of people before us and so they are now and so they will continue to be. I'll settle into this luxe-er phase of life quite happily (when I make some money?), but I'll have nothing but love for the self-imprinted rags of old. Sigh.


*Able's prep school dormitory

Love In This Club: Johnny Weir

So I've been wracking my brain trying to figure out how to post something truly relevant about Johnny Weir lately. His new film, Pop Star On Ice, is hitting a million Pride festivals this month, and, y'know, somehow figure skating is always topical, but it dawned on me mid-evening that when all's said/done, I've quit smoking, I don't drink that much anymore, I'm the only one left in the Memphis offices of A&P, and Johnny Weir is just about the dreamiest thing I've seen in quite a while. That's it. Please go see his movie if it's coming near you.

Here's him skating, to help with legitimacy. The Nina Simone shit is gold.

Jun 11, 2009

Chinese Democracy

Middle School Dance Music Committee

Soulja Boy Tell 'Em's "Kiss Me Thru the Phone" is a serious jam, not only because it's a really good song, but because I hear it at least 5 times a day either wafting through my window from the street or while out and about in the 'hood. I finally downloaded it today, and when I saw that Sammie sings the hook I almost fell out of my chair. You may or may not remember Sammie from his summer 1999 takeover of The Box with his own cell phone-centric love song "The Crazy Things I Do". Call you on my cell phone baby, even on peak time!

A Bridge Too Far

Topical Post headline for June 11 is actually too much.

Jun 10, 2009

Funny Page for Wednesday

This is one of my all-time favorite strips of Watterson's probably because it's the best example of his literal outside the box approach to comic strips. Nobody's packed a strip with as much action and emotion since.

For Shame

I too have recently commented on a Gawker, Inc. site...Gawker proper. And, as you'll see (on the second page...using the [ahem] alias, SarahGrace), I was met with some seriously chipped and cold shoulders. I have long found there to be an irrational double standard when it comes to discussions of class in this country. Less-wealthy folk can heap insults at the wealthier folk, who would never conceive of saying such silly, cruel, narrow things to/about them. It's cheap to call this sort of uninformed financial/cultural angst journalism.

For Shame






















The question on my mind this morning is: why is it okay for people to make fun of my ethnicity? And also, how are the editors at Jezebel so clueless? Yesterday, Dodai gave us a post entitled "The WASPiest Items in 'Vineyard Vines'". Now, I'll be the first to say I'm not a fan of Vineyard Vines. I find it to be a rip-off of more respectable and long-standing labels. But within the post I found suggestions of racism, classism, and downright stupidity. Seriously, Jezebel?--website founded on principles of "playing nice" and "equality for all"?

But thanks, Dodai!--I've learned a few fun things about myself. Apparently, white people of northwestern European descent who come from successful families only find it acceptable to wear ties with watermelons on them because black people are more into grape soda now. We like to wear white because we sympathize with the Ku Klux Klan. We won't even wear clothes that look like they're from discount stores because we're afraid of looking "LMC" ("lower middle class", catchy lingo!).

Honestly, I'm constantly disappointed by Jezebel, and I really have no idea why I keep reading it everyday. Maybe I'm holding out hope, because it makes me sad that such an interesting concept has turned out so whack. I thought the site was about helping women be proud of who they are are; no matter what their weight, height, education level, family background, profession, religion, hair color, skin color, or ethnic origin. So why are they constantly making me feel bad? I'm constantly ignoring posts that kind of make me want to cry (especially this one), but I can't ignore this fuckery. What are you DOING, Jezebel? Do you guys even realize how insane and racist (yes, I said it) this post is? I'm so angry, I even signed up for a commenter account. FOR SHAME!

What About Style?--1998-9

Cher's "Believe" video, which I assume I caught on The Box a time or two, is essential 1998-9. Have you watched it lately? I mean, the featured mass of clurrb-urchins was/(is?) pretty hep. And Cher--a golden lion at center, all headdress and injections! Transcendental.

Jun 8, 2009

Animated Gifmas

Best Thing Going (For Monday)






















I have long pretended that F. Scott Fitzgerald and self were a number in a past life. Whatever the reason, I feel sort of heavy-hearted and spiritual about him (and his letters and the Princeton campus). Here is an absolutely lovely L.A. Times profile of his last secretary, Frances Kroll Ring. Images of Scottie's last months are so vividly conjured that I can't help but get misty...