Nov 8, 2008

New Labours

In starting a blog, I feared a descent into narcissism (or at least the exposure of such stuff). The self is dull, no? The self is the property of the 20th century—psychoanalysis, mass consumerism and advertising, the image of the mordern painter, writer, film star, hippies, yuppies, addicts and patients. This notion: I am the measure, as are you and you and you, this revolution of self-consciousness is two-fold. It birthed and births some freedom, but also becomes a berth for age-old enemies: conformity, slavery, fascism, debt, dependence, isolation. I find I am overwhelmed by the depth of the subject.

Here we have Walt Whitman, four decades before the dawn of the 20th century, calling upon self-love and self-discovery as the answer to equality, to the recognition of glistening, universal humanity—reason to free slaves and women and homosexuals and all who feel bound, end war, become more spiritual beings in communication with nature, better Americans. Whitman had faith, perhaps tragically blind faith, in the notion that people who celebrated and respected the self would progress, as in Leaves of Grass, from the interior to the exterior. Self-love could make one closer to all of the other selves of the population. We have these interior and exterior lives from nature—no poet wholly wrote them into existence—but, less clear, is whether the ability to discriminate or not discriminate in our interior and exterior lives is from nature. Tolerance is taught. More often, hatred and fear, the handiest tools of tyrannical governments and corporations, are taught. We can be socialized to fear and hate ourselves and others; these very sins can be made into our bread, our existence, however empty.

Free associatively (thank you, Sigmund), I find myself wondering if Germans followed the parade, slaughtered millions of "misfits" and Jews, mostly because they didn't want to be lonely. Though horrified by the reductiveness of the thought, I do see that there is something in it. Self-consciousness and its cousin, self-confidence, are tricky substances. They can be real, enlightened, healthy (and how can we verify that?!); and we can be sold them by Adolph Hitler or the slightly more benign fashion and automotive industries.

But I digress, I'm sure. However insurmountable (and often deliciously so) a general topic "the self" may be, specifically, it is paramount to any communication. We must inspect and know ourselves, before we can attempt to know others, to know society and culture, all of us in conjunction. I find that my writing is often naive. I reread my posts on this strange recent, micro-cosmic history that absorbs me, my own youth, the years 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008. I write it because it is vivid, because it is what I know. In the first decade of the 21st century, we fear our own selfishness, as it absolutely consumes us. I think we must confront that very selfishness, not by nun-ishly casting it aside, but by diving right into it and coming to the surface and seeing ours and everyone else's head, above water or drowning.

Economically hopeless seasons, like the Fall of 1932 and the present, make way for politicians who can miraculously gain the ear of individuals by calling for service and attention to others. The root may be selfish, more are drowning, more will finally vote like the drowning, the "other"; but the outcome can be (and has been) great for the whole. We could find a way to free ourselves from the wild, complex bonds of our era. We may again become citizens, something far greater than consumers. All the while, we must continue to look at ourselves, at our habits, at our appetites with measured curiousity, not shame or loathing. Shame in ourselves has only ever driven mongers of fear and hatred and rendered us inactive.

Nov 7, 2008

Haiku anyone?


Kate thinks of Britney
To be pleased means to say YES!
Just ask Adorno--

Love in this Club (long hair or short, yesterday, today and tomorrow)


Surprisingly, we at A&P have yet to discuss the groundbreaking decriminalization of marijuana passed in (count 'em!) three states on Tuesday. I don't know how Jason Mewes feels about tea-smoking now that he's blessedly kicked his heroin habit, but he will always be our favorite fictive dealer of the stuff. And he had this to say in 1999 (oh, what a year): "I think it should definitely be legalized. Like they say, if anything it should be more legal than booze because people get drunk, they drink and drive, they crash and kill people. And when you get drunk you get a little rowdy and shit. And you get stupid and have unprotected sex. Weed, you know, you just get mellow. You can drive pretty stoned and be OK. I mean, sometimes you get too stoned and you can't drive. But you could get pretty stoned and still drive. And you don't get all stupid and sleep with someone. You're so stoned most of the time that you don't want to sleep with someone. So, that's that. And a lot of people get shot and shit during fucking drug deals -- the cops busting and raiding and stuff. So, I think they should legalize it."

Early Friday Morning Yeats

"Who Goes With Fergus"
W.B. Yeats

Who will go with Fergus now,
And pierce the deep wood's woven shade,
And dance upon the level shore?
Young man, lift up your russet brow,
And lift your tender eyelids, maid,
And brood on hopes and fears no more.

And no more turn aside and brood
Upon love's bitter mystery;
For Fergus rules the brazen cars,
And rules the shadows of the wood,
And the white breast of the dim sea
And all dishevelled wandering stars.

Nov 6, 2008

Song for Us?

One of Queen B's latest stylings, "If I Were a Boy", leaves me both shaking my head in agreement and confusion. Lines such as "I'd kick it with who I wanted, and I'd never get confronted for it" resonate deeply with a girl who has had to deal with icy disapproval from friends of certain romantic endeavors. In turn, I watch my straight male friends (some of the most vocal of the aforementioned disapprovers) associate with the murkiest bottom of the skank pond, always without the castigation that I've received. She also deals with the universal issue of women's inability to place a premium on their OWN happiness instead of everyone else's (a male trait I've always been envious of). But c'mon B, a large part of my life is throwing on clothes without thinking about them, and drinking beer with the guys is pretty much my social life. And it would be more than presumptuous to think I could get this whole love thing right from the other side. Either way, a song that makes you think:

Tricks for Kids


















Now, I love "The Hills" and it's sweet little sister, "Laguna Beach" (seasons 1 and 2). I was a little miffed when Justin Timberlake publicly called for more music videos on MTV while sharing a stage with Lauren Conrad and Whitney Port, two of the winsome, blonde stars of the monstrously successful MTV reality programming he seems to abhor. I think these shows are beautifully shot, fascinating, rather sad and complex (whether they mean to be or not). They are not quite the worst of what has happened to MTV; they are, in terms of quality and cultural influence, what "The Real World" was in the 90's. Everything else is wrong. MTV is not a station that is even remotely about music. It's about really skanky high school students and the skanks that they love. If you sit and watch a full day of MTV shows, you will become certain that life ends after eighteen. Imagine then, what it is to watch this swill as a small child. When I was a tyke, MTV was about the thrilling prospect of being in my twenties, the thrilling prospect of being a pop-star. The sad-sacks at the network, who, I'm sure, hate the stuff they're selling even more than we do, have created a new website to asuage us "oldies." MTV Music (hilariously redundant) makes available every single music video ever aired on the network. It's a haven where one can once again watch Snoop morph into a doberman and Duran Duran sail the high seas . . . bon voyage.

I'm OK. You're OK.

Get Low















Maybe it's the actual hangover from the grand election celebrations (the extreme unease of not remembering much more than a few sad and silly details post-midnight). Maybe we are hungover from the happiness of the event itself, experiencing an inevitable swing toward melancholy. Maybe it's the dismal weather, general over the whole East. Maybe it's the grumblings of the coming holiday season. Maybe, horrors, it's just little old me--but I have a sense that low spirits are a common ailment this week. This election was such a fine distraction from the death rattles of the economy, a chance to birth something pretty and hopeful. And, my goodness, we did it. Bring on Bamelot (this morning's blessedly Post-y Post headline)! The guard has changed in Washington; we citizens made that change. But in the aftermath, we come to find that we have not changed. Each of us awoke Wednesday and today with the same pockmarks and difficulties and debts and memories, as ever. And the sun wasn't shining, and we were plagued with new fears of losing our beautiful leader, because it would take much more than the election of Barack H. Obama to restore our trust in America(ns). I have been top-full of ruminations. I am mourning something indistinct. Am I processing the last eight years, a tumultuous youth beneath a hideously out-of-touch and uncaring administration? Must a win always, after some time, register the memory of defeat or fears for the future?

I am twenty-three. Obama has been marketed as a candidate for my generation, and with good reason. He is just that. We adore him to distraction (whether we believed from the start, or voted for Senator Clinton in the primary). Ted Kennedy and many others said throughout 2008 that it was young voices that they heard and trusted, that their grandchildren told them who to stand behind. Why is it then that these inky ruminations of mine are about feeling old, positively world-weary, like I've lost things, time, like the property of youth is no longer with me, as if I've wasted and spoiled it? I've even caught myself getting jealous of teenagers on the street. I wonder where they will go to school, what they will study. Will they be happier than we were, in our age of narcissistic, drugged, greedy, fetid, disinterest in politics and the world (having seen elections stolen in 2000 and 2004)? We were the quintessential Ship of Fools, faithless, miserable about our leadership, but ultimately more interested in overpriced denim, The O.C., and 'The Black Album,' than affecting change. We were called apathetic and we laughed about it. Of course, it was us, not fifteen-year-olds, who voted for Obama, took part in his brilliant, grass-roots campaign. Having grown up, we have committed ourselves to action and a starry-eyed hope that eluded us when we were younger. I just wish this day had come before, before the market crashed, before we got embroiled in two messy wars, before we had alienated nearly all of our allies, before I had grown into a a regretful, slightly sour adult.

The Feeling Remains...

"Late Spring"
Li Ch'ing-Chao (Sung Dynasty)

Wind stopped
earth
smelling of fallen blossoms
Day almost over
Too weary to comb my hair
His belongings here
He here no longer
Everything useless
Before I can say a word
tears flow first

At Twin Stream
they say
the spring still beautiful
I too
would like to go rowing in a light boat
but I'm afraid
that little boat on Twin Stream
would not carry
so much sorrow!

Nov 5, 2008

A Song For ¥ou

(Photograph of) Folk Art for Wednesday Night

HOPE

If ever there was a time for Sister Pillow to share her personal anthem of hope and redemption, it's now. Happy November 5th America.

Never Have I Ever...

...felt prouder to be an American. Seriously. At this moment in 2004, I was at the grocery store in my underwear, buying more wine, ticking off in my head the horrifying election results that were waiting for me when I got home. Tonight, I cried hysterically and happily, toasting my friends (some defunct from too much celebratory bubbly) to this glorious victory. This election has made me more aware than ever of my "American-ness." My mother's family is original stock: Jamestown settlers, Native Americans, tillers of the soil, senators, soldiers in every war fought on home turf...My father is barely second generation American, with most of his father's side of the family welcomed to home turf just in time to avoid the Holocaust. If I truly take a personal inventory, I cannot define myself without defining myself as an American, and tonight I am disgustingly proud to be one. One love, Pax Americana, goodnight. 

Nov 4, 2008

Let's try not to lose our lunch—something GREAT might happen today.














Listen to the Reverend, and take heart. The odds seem to be in our favor; either way, I'll end the night in tears. I'm voting in BK in the morning, and then going to Staten Island to take some pictures, get my nails done, eat pizza—generally stay calm (in this here "unreal America").

Here's hoping that come Wednesday, I can still expect to afford healthcare and get an abortion. Here's hoping that we don't declare war on Spain and all of its delicious jamón. Here's hoping Wednesday is a BRAND NEW BAG! Here's to you, handsome!

Nov 3, 2008

Preach Pillow!—Someone Please Tell Pharrell Williams That Bling is D*E*A*D














In my reccuring segment, "High Times, Hard Times: The Year 2003," I attempt to unpack the inherent contradictions between cultural and political events/persuasions within that mini-epoch. I also present the marked differences between our current tastes and those of that far more Baroque season (a mere five years ago!). In 2003, NOBODY could touch Pharrell Williams. He was a prophet of the sound (that sounded 'up with people,' but was slyly, coldly 'up with things' instead), aesthetics, values, and language of that moment (and the producer, along with Chad Hugo—second half of the Neptunes, of seemingly every major hip-hop and pop hit of that and several previous and subsequent years). That music is meaningful to me; they are the sum of my adolesence, many of the songs I danced to, drove to, songs that connected me to people and served as soundtrack. But, when I glance backward, it is not just the materialism that I find cloying. The songs are wildly, blissfully ignorant and free—there is no pain felt in the three minutes of a Neptunes track, definitively youthful, a perfect sound for teenagers (and their emulators); but really, who can claim that youth is painless? They are a bastardization, a sugary extract, a filmic youth, an utterly confusing sound for actual youth, a devastating distraction.

I harp on '2003'—it's a number that is meaningful to me (I graduated from high school that year), but the shift from past to present has been slower than I imply. Williams was still very relevant in 2004 and 2005, when I found out a friend had dated him and was very impressed. I will always listen to his music, that which he produced and sang (such an incredible catalogue), but I cannot say that I like or respect him anymore, or that I think of him as clever or culturally attuned enough to make such work again. He is money-blind. He wears fist-sized diamonds in his ears. He wears his Ferrari keys on his wallet chain. He runs a clothing company called "Billionaire Boys Club" (sort of unironically). He carries LV luggage or (worse yet) ice-cream-colored, extra-large, rare-skinned Birkin bags about town. This baggage cannot contain his ego, as evidenced by Pillow's earlier post. In this fast-changing, fast-sobering world, crumbling economy, (as ever) devastated eco-system, in this moment of folks finally waking from their sugar-and-SUV-induced comas, one thing is certain: BLING IS DEAD. Gross consumption is simply gross, and Pharrell Williams has not received the message.

Bathroom Ham Party

Pretentious Piece of Crap for Monday


There are people who you really want to punch in the face because, well, SOMEONE needs to— for their own good. Pharrell Williams has earned that honor, as over the past few years, he's overshadowed any actual talent he possesses with an overwhelming need to forcefully shove himself down our collective throats.

Williams' latest attempt to rule the world, Perspectives, can be seen in Paris at Galerie Emmanuel Perrotin. The "piece" itself is entitled "The Perspective Chair". He claims that he envisioned the chair as an object to give one the experience of "what it was like to be in love", to gift the viewer with the ability to look at the world from that perspective. Thank God for Pharrell Williams, because without sitting in a glorified cafeteria chair held up by some guy "loving" some girl from the back (possibly against a wall? dresser? countertop?), I would have absolutely NO IDEA what it's like to be in love.

Love in this Club (every man jack of them)

Haiku anyone?

Union Square smelled of
Sewers today, quite sour, and
Where was my nosegay?

Founding Fathers: Auntie Mame (particularly the Ros Russell iteration)













What can I say? Beekman Place!! Irish ghostwriter!!

I'll Take a Man Made Out of Bourbon, Please


Men's "body spray" commercials have always made me cringe, but I dealt with them because men and women were usually made to look equally ridiculous when it came to inter-sex interactions. But this Axe commercial, in which, some foul chocolate concoction dubbed "Dark Temptation" turns its wearer into chocolate, sending women into movie-theater-group-sex-having, subway-ass-biting orbit, has really crossed the line. I don't even really like chocolate all that much, to be perfectly honest.

Dark Ages














Daylight Savings Time has officially kicked off my annual round of Seasonal Affective ( . . . Defective?) Disorder. Methinks we ought to revisit a song of summer, a fantastic, melodic ditty in which Chris Brown's mentions of floating in air bring to mind Chinese mythology, questing deities traveling on systems of stylish clouds.

'I Write Entirely For You'--Best Headline of the Year


















I have a gingerly Sunday-Times-reading-habit. Yesterday, I read just two articles: a really dismal fellow on the front page about hundreds of millions lost by municipal organizations, like the MTA and Milwaukee public schools, through these damn dirty bundled mortgages, and this review of the published letters of "platonic poet-lovers," Robert Lowell and Elizabeth Bishop. How could I not?--'I Write Entirely for You,' is the loveliest bit of strung together language I've seen in ages.

Folk Art (I mean, Public Art?) for Monday (On the Autobahn-bahn-bahn)

Verses (I believe it is the moment for poems with ham-handed "American" titles.)

"They Dream Only of America"
John Ashbery, from The Tennis Court Oath (1957)

They dream only of America
To be lost among the thirteen million pillars of grass:
"This honey is delicious
Though it burns the throat."

And hiding from darkness in barns
They can be grownups now
And the murderer's ash tray is more easily--
The lake a lilac cube.

He holds a key in his right hand.
"Please," he asked willingly.
He is thirty years old.
That was before

We could drive hundreds of miles
At night through dandelions.
When his headache grew worse we
Stopped at a wire filling station.

Now he cared only about signs.
Was the cigar a sign?
And what about the key?
He went slowly into the bedroom.

"I would not have broken my leg if I had not fallen
Against the living room table. What is it to be back
Beside the bed? There is nothing to do
For our liberation, except wait in the horror of it.

And I am lost without you."